review

Since I have enjoyed the work of Tahatto for many years now (you can read my review of another of their plays, here (written on a rainy evening exactly 5 years and 3 days ago!)

Bengali plays are not very common at Ranga Shankara, so I was quite keen to watch this Badal Sircar play, produced by Centre for Film and Drama (CFD), and directed by Nilanjan  P Choudhry.  

I thought it was difficult to write a review of a play I liked very much; I did not want to sound as if the theatre group had sponsored my review! But alas, the difficulty

Occasionally, instead of a light-hearted evening of theatre, one gets a  powerful, thought-provoking play to watch. My friend Shangon and I braved the rain to go and watch Michael Freyn’s play, “Copenhagen” which was being

Theatre Professionals, a part of the  Drama School, Mumbai, staged “The Dragon”, translated from the Soviet author and playwright, <a href=”http://en.wikipedia.org/wiki/Evgeny_Shvarts”>  Evgeny Shvarts </a> This  is a play written in 1944.. The excellent translation, bringing

The play, “The Tenth Head”, written by Vinay Kumar KJ, directed by Veenapani Chawla, and staged by Adishakti Laboratory and Theatre Art Research, Puduchery, has a very interesting central premise: that all the heads of

Duets – the very word evokes images of love ballads from Hindi movies. The successful pairing of Lata Mangeshkar with Mohammed Rafi or P. Susheela and T.M. Soundararajan left an indelible mark on Indian movie

Bangalore Gayana Samaja is one of the oldest institutions, promoting classical arts, in the city. The 45th annual conference of the Samaja concluded in the last week of October. For Carnatic music buffs, this was