Are movies helping classical music?

For a recent show, I’d researched movie songs in a variety of Indian languages with the intent to trace the classical ragas behind these songs. While some of them were based directly on a specific raga, others were a mix of several ragas while some barely resembled a coherent melody. It was fascinating to see how the same melody sounded when it moved from the stage to the screen. Here are some of the more interesting ones I encountered. 
 
Many older Hindi movies, such as Tansen and Baiju Bawra were based on the life stories of legendary musicians. They were filled with classical music. Others such as Shankarabharanam and Thodi featured classical music as their central theme. In Shankarabharanam here’s how the main character renders the Tyagaraja composition, Dorakuna Itu Vanti Seva.
 
 
Hamsageethe was a famous Kannada movie believed to be based on the 18th century Carnatic musician Bhairavi Venkatasubbiah, a character played by actor Anant Nag. It won national film awards including one for best male playback singer for Carnatic stalwart M.Balamuralikrishna. Here’s an ashtapathi, Naadha Hare sung by Balamuralikrishna from Hamsageetha.
 
 
Morning Raga, an English and Telugu movie featured the story of an older classical musician working with a younger contemporary band and their attempt at fusion music. Here’s how Sudha Raghunathan sings the composition of Tamil composer Gopalakrishna Bharathi Thaye Yashodha in the climax scene of the movie.
 
 
Most film music composers and the playback singers have been trained in classical music to  varying degrees and it shows. Several movies from Shakuntalai (Tamil), Jhanak Jhanak Payal Bhaje (Hindi) to Hum Dil De Chuke Sanam have had strong classical music background as the film score. 
 
If you’ve wondered why the song Dil Hai Chotta Sa from the Mani Ratnam movie Roja sounded similar when you were listening to a song in a classical concert, here’s the reason why.
 
 
Not all of these movies have done well at the box office as Roja did. I wonder if their commercial success means that they make classical music more accessible to the lay public? 
 
What do you think, dear readers? Please comment below to share your thoughts. 

 

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Similar Story

Thiruvaiyaru – A State of Mind

A small town in the Cauvery delta comes alive in January each year. Carnatic musicians and rasikas all over the world turn their focus to Thiruvaiyaru (city of five rivers) in the Tanjavur district of Tamil Nadu. Many even travel from around the world to be there. Thiruvaiyaru is where carnatic composer Tyāgaraja lived and composed some of the most well-known songs of the genre. On Bahula Panchami—the fifth day of the lunar month Pushya—Jan 25 this year, five songs of Tyāgaraja, simply referred to as the “pancharatna kritis” were sung in one voice by millions of people all over…

Similar Story

Akka Mahadevi across the shores

I didn't expect to hear Akka Mahadevi's poetry being recited on a stage in the US. Fire and Ash, a multimedia show about Lord Shiva is where I encountered the poetry of this Kannada saint. The theme of the show conceived by playwright Gouri Ramanarayan centered on the stories and attributes of Lord Shiva. How Lord Siva symbolizes both the positive and negative energy of the universe was effectively brought out by the narration ably supported by vocalist Savita Narasimhan and dancer Anjana Anand. Several compositions ranging from Muthuthandavar's Teruvil Varano to Tagore's Srijoner to Kalidasa's Kumarasambhavam and Akka Mahadevi's…